Lilly Piri

Paintings

Painting of a hare jumping over a mountain covered in millefleur with a moon to the right and a night sky, and yellow paint coming out of a paint tube, there's also a tawny frogmouth, bandicoot, and bowerbird interacting with the paint.
Marigold Moonrise, 2025, Oil on panel, 300 x 300 mm.
Painting of a dilute tortoiseshell cat lounging on a giant paint tube, with turquoise paint coming out of it, on a mille fleur hill with a silver leaf star and the background is wood.
Ivy, 2025, Oil and faux silver leaf on salvaged wood, 245 x 92 mm.
Block of red wood with a standing hare wearing a blue bow painted on it. The hare is holding onto a giant paint tube that is squirting blue paint in a circle. The hare is also holding a palette and brush and is standing on a circle mound of grass and flowers in a Mille Fleur style. Above the hare is a silver star.
AliceBlue, 2024, Oil & faux silver leaf on salvaged wood, 140 x 310 mm.
Painting of a hare that is cut out jumping over the Tweed Valley landscape. The hare is wearing a blue ribbon. The valley is lush and green with cattle speckled over it.
Up in the Hare, 2024, Acrylic on panel, 225 x 305 mm.
Painting of a dilute torti kitten with various pumpkins. The kitten is looking at the viewer and standing on an old wooden box that reads 'Frys homoepathic cocoa'.  There's part of a monitor to the right with a video session.
Madeleine, 2023, Oil on panel, 170 x 234 mm.
Screen Time, 2022, Acrylic on panel, 560 x 760 mm
Painting of a silver tabby kitten with various pumpkins. The kitten is sitting on an old wooden box that reads 'Frys homoepathic cocoa'.  There's postcards of old still life on the wall, and a monitor to the right with a recipe for Chouquettes on screen.
Millie (Chouquette), 2023, Oil on panel, 170 x 234 mm.
Working Remotely II, 2021, Oil and gold leaf on panel, 460 x 610 mm.
Tangerine I, 2022, Oil on panel, 203 x 203 mm.
Tuck Shop, 2019, Acrylic on panel, 410 x 510 mm.
Clockwork Bear, 2021, Oil on panel, 170 x 234 mm.
Enchanted, 2017, Acrylic on panel, 250 x 250 mm.
Studio Study, 2020, Oil on panel, 127 x 176 mm.
On Fire, 2015, Acrylic on canvas, 760 x 1020 mm.
Kiss Kiss, 2015, Acrylic on panel, 200 x 200 mm.
Cosmic Mandarin, 2013, Acrylic on panel, 300 x 300 mm.
Stargazer, 2013, Acrylic on panel, 100 x 100 mm.
Nihil, 2013, Acrylic on panel, 100 x 100 mm.
Painting of a fawn sitting on a giant purple paint tube. Purple paint is coming up in swirls and there are purple flowers where paint blobs should be.
Flora and Fauna, 2025, Oil and faux gold leaf on palette, 251 x 198 mm.
Still life oil painting, featuring Work in progress of a large bunya cone, a tiny bunya cone, and chocolate rabbit decoration. They are sitting on a table covered in different coloured paint splatters and marks. Behind this is a white wall with a bench and part of a large brown vase.
Bunya, Bunya, Bunny, 2024, Oil on panel, 225 x 305 mm.
Still life oil painting, featuring a pink, oil spill finish Madonna Inn goblet, a loaf of bread from Franquette bakery with an 'F' on it in flour, old dug up bottles, a hand made teddy bear on its side holding a reflective bauble with the artist reflected in it, and a rhinoceros beetle.
Still life with Rhino beetle, 2024, Oil on panel, 450 x 610 mm.
Painting of a vase from pink hill ceramics, it holds cornflowers, yellow, pink and purple statice, a pansy, lavender, nasturtium. The background is black, and the surface is wooden. To the right is a small orange pumpkin.
Pink Hill Vase, 2023, Oil on panel, 170 x 234 mm.
Thick impressionist realistic painting of a pain au chocolat on a white bakery bag that reads 'Franquette'. It sits atop a black wooden box with rusty fixings. Behind it sits a blue bottle. On the white walls in the background you can see a peep of golden frame, along with some gallery placards with red dots.
Picture at an Exhibition, 2023, Oil on panel, 250 x 250 mm.
Painting of Nathan in a large grey coat, looking at the viewer and holding a tabby kitten. The background is turquoise with gold leaf stars.
Nathan & Cooper, 2023, Acrylic, chalk paint, faux gold leaf on panel in vintage frame, 500 x 760 mm.
Thank You For The Days, 2021, Oil on panel, 200 x 200 mm.
In Discord, 2022, Oil and gold leaf on panel, 560 x 760 mm.
Working Remotely, 2020, Acrylic on canvas, 510 x 760 mm.
Peachey Rd Honey, 2021, Oil on panel, 170 x 234 mm.
Thumbelina (self portrait as a young girl), 2019, Acrylic on canvas, 915 x 460 mm.
Coconut in the Yard, 2020, Acrylic on canvas, 255 x 310 mm.
The Knight, 2015, Acrylic on panel, 150 x 150 mm.
Souvenirs, 2019, Acrylic on canvas, 760 x 920 mm.
Nature Morte, 2013, Acrylic on panel, 420 x 300 x 300 mm.
Bee, 2013, Acrylic on panel, 150 x 150 mm.
Thumbelina, 2013, Acrylic on panel, 50 x 100 mm.
Die Tulpe im Honigglas, 2013, Acrylic on panel, 300 x 400 mm.
Painting of a tabby cat biting down on a red paint tube, sitting on a little hill of mille fleur. The background is wood.
Cooper, 2025, Oil and faux silver leaf on salvaged wood, 67 x 103 mm.
Painting of a hare with pink and purple angel wings, flying against a blue sky with a crescent moon and pinky purple clouds. The hare is holding a mahlstick under its front leg, and a tarot card is floating behind in the air
UAP, 2026, Oil and faux silver leaf on salvaged wood, 240 x 145 mm.
Oil painting featuring a futsu pumpkin, green bottle, mirrored bauble, moomin toy holding an Apple, a coloured sand bottle, and marbles, all on top of a wooden Fry’s Cocoa box and behind these items is an open yellow book (The Wizard of Oz) with green page edges. There is a green crocheted blanket with red, white and black trim as the back drop. In front of the Cocoa box is a green striped pumpkin.
The Emerald City, 2024, Oil on panel, 254 x 203 mm.
Still life painting of a loaf of bread and a blue bottle, sitting on a wooden box. There’s some sweet peas peeking in.
All you need is loaf (Franquette), 2023, Oil on panel, 250 x 250 mm.
Painting of a glass vase full of pink and purple sweet peas. It's sitting atop an old wooden box that reads 'Frys homoepathic cocoa'. Next to it on the box is a stag beetle, marble, and a dutch blue kissing sculpture. Next to it are 2 bottles, one blue, one green, and part of a computer screen that shows the QFES website showing Long Road. Behind this is a postcard on the wall of Georg Flegel's still life with a stag beetle.
Serenade Farms, 2023, Oil on panel, 300 x 406 mm.
Tangerine II, 2022, Oil on panel, 178 x 127 mm.
Painting of a self portrait of Lilly holding a green pumpkin in front of her face. She has a wooly brown and white cap on and a tawny frogmouth sitting on her head. The background is turquoise with gold leaf stars.
Tawny, 2023, Acrylic, chalk paint, faux gold leaf on panel in vintage frame, 500 x 760 mm.
While Loop, 2020, Acrylic on canvas, 250 x 200 mm.
Self Portrait in the Studio, 2021, Oil on linen, 762 x 1016 mm.
Patience is Bitter, but the Fruit is Sweet, 2019, Acrylic on canvas, 760 x 1020 mm.
Celosia, 2021, Oil on panel, 170 x 234 mm.
The Unbearable Lightness of Being, 2016, Acrylic on panel, 300 x 400 mm.
Jacobs Well, 2019, Acrylic on panel, 200 x 300 mm.
End Of Summer, 2014, Acrylic on panel, 170 x 235 mm.
Currumbin Valley, 2014, Acrylic on panel, 200 x 250 mm.
Finite Infinite, 2013, Acrylic on panel, 100 x 100 mm.
An Absolute Rose, 2013, Acrylic on panel, 500 x 700 mm.